He learned his musical skills essentially on the job, starting as a rehearsal pianist and then preparing choruses for small opera companies. Palumbo’s career has had what he called a “strange trajectory,” because he graduated with a bachelor’s degree not in music but in chemistry in 1970 from Boston University. I just find it to be an amazing piece of music.” “It’s just extremely cerebral in its way, yet so heartfelt and emotional. “When you listen to it, you can’t sit back and just let the music wash over you and be impressed by the fortes, like the Dies Irae in a Verdi Requiem,” he said. The veteran chorus master described the mass setting as one of the great masterpieces of Western civilization. For these milestone performances, Muti will lead Beethoven’s towering choral work, Missa solemnis, which the composer completed in 1823, four years before his death. Palumbo is returning to the Chicago Symphony Orchestra for a second time, serving as guest chorus master for Riccardo Muti’s final subscription concerts June 23-25 as music director. He has served as chorus master at some of the world’s biggest and most prestigious music organizations, including the Lyric Opera of Chicago, Salzburg Festival and Metropolitan Opera, his current post. In 1985, the company was renamed to The Atlanta Opera.Donald Palumbo has had a dream career, and he knows it. The following December, a festive gala was held in Symphony Hall with such noted young artists as Catherine Malfitano, Jerry Hadley and Samuel Ramey. The first artistic director was noted composer Thomas Pasatieri. The company’s first production was The Seagull on Friday, Maat the Fox Theatre. In 1979, the Atlanta Civic Opera was born, a result of a merger between two competing entities, Atlanta Lyric Opera and Georgia Opera. The audience included a who’s who of Atlantans and was celebrated with posh parties at the Georgian Terrace, Piedmont Driving Club and other upscale venues. Every night of the week featured the performance of a different opera starring opera legends including Enrico Caruso, Leontyne Price, and later, Luciano Pavarotti. Performing at the Auditorium-Armory, the fabulous Fox Theatre and finally the Boisfeuillet Jones Atlanta Civic Center, the Metropolitan Opera’s annual tour was a major social event. In addition, The Opera was featured in a 2018 Harvard Business School case study about successful organizational growth, and Zvulun presented a TEDx Talk at Emory University entitled “The Ambidextrous Opera Company, or Opera in the Age of iPhones.” Our HistoryĪtlanta’s taste for opera began in the early years of the 1900’s with the Metropolitan Opera’s annual week-long tour to Atlanta. In recent years, the company was recognized by The Atlanta Journal-Constitution as part of its “Best of 2015” awards it was nominated for an International Opera Award in 2016 and it won ArtsATL’s 2019 Luminary Award for Community Engagement, recognizing its successful Veterans Program in partnership with The Home Depot Foundation. General & Artistic Director Tomer Zvulun, The Atlanta Opera expanded from three to four mainstage productions at Cobb Energy Centre and launched the acclaimed Discoveries series. Under the leadership of internationally recognized stage director and Carl W. The Opera works with world-renowned singers, conductors, directors, and designers who seek to enhance the art form. The Atlanta Opera’s mission is to build the major international opera company Atlanta deserves, with a vision to reimagine opera.įounded in 1979, The Atlanta Opera has celebrated opera for over 40 years.
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